Se você está em busca das palavras perfeitas para tocar o coração de alguém especial na sua vida, confira as mensagens que separamos e que vão tornar o dia dessa pessoa ainda mais inesquecível!
Day: October 3, 2025
Categories
UNIASSELVI
Categories
Dow Jones Industrial Average
Instant free online tool for cubic foot/second to gallon (US)/minute conversion or vice versa. The cubic foot/second [ft^3/s] to gallon (US)/minute conversion table and conversion steps are also listed. Also, explore tools to convert cubic foot/second or gallon (US)/minute to other flow units or learn more about flow conversions.
Categories
The Best Free Online Calculator
The second track on Taylor Swift’s 12th studio album The Life of a Showgirl is named after Elizabeth Taylor.
It’s no surprise that one of the most glamorous pop stars would reference one of Hollywood’s most glamorous actors. And it’s not the first time she has referenced the movie star either. Entertainment Weekly points out that her hit “Ready for It?” has a lyric “Burton to this Taylor,” which refers to one of the movie star’s great loves, Richard Burton.
[time-brightcove not-tgx=”true”]
Swift invokes Taylor again in “Elizabeth Taylor,” which appears to be dedicated to her fiancé Travis Kelce, as she sings, “Do you think it’s forever?”
“That view of Portofino was on my mind when you called me at the Plaza Athénée,” Swift sings. Portofino held a special place in Taylor’s heart—Burton first proposed to her there.
Taylor lives throughout the song. Swift sings that if her love story should end, “I’d cry my eyes violet,” which is how the actress’s eyes were famously described. Later, Swift cements her love with a reference to Taylor’s perfume, White Diamonds.
“All my white diamonds and lovers are forever,” Swift sings. “Don’t you ever end up anything but mine.”
Elizabeth Taylor, who began her career as a child star, won a 1961 Academy Award for best actress in a leading role for Butterfield 8 and one in 1967 for Who’s Afraid of Virginia Woolf?
“She usually played a woman of common sense and uncommon passion,” TIME’s former film critic Richard Corliss wrote in her 2011 obituary. “In each role, she found the starting point for a creative journey at the crossroads of modern femininity, or proto-feminism, and ageless star quality.”
She appeared on the cover of TIME magazine in 1949, back when she was MGM studio’s biggest star. In the profile, she revealed that she wanted a break from playing glamorous characters: “When Elizabeth talks about her future in the movies, her eyes flash sapphire sparks. ‘What I’d really like to play,’ she gasps excitedly, ‘is a monster — a hellion.’”
Off-screen, she had a tumultuous personal life with eight weddings and seven divorces. As a philanthropist, she helped found the American Foundation for AIDS Research and raised about $100 million for patients with other illnesses. Throughout it all, she maintained her allure. As Corliss wrote in her obituary, “She remained a tireless champion through many illnesses: skin cancer, a (benign) brain tumor, injuries to her hips and back. ‘I get around now in a wheelchair,’ she said in 2005, ‘but I get around.’ The grand lady was also a game gal.”